Don Bluth Weitere Formate
Don Virgil Bluth ist ein US-amerikanischer Regisseur, Produzent und Drehbuchautor, der besonders für seine Arbeit an zahlreichen Zeichentrickfilmen, zuerst beim Disney-Studio und später in Eigenregie, bekannt wurde. Don Virgil Bluth (* September in El Paso, Texas) ist ein US-amerikanischer Regisseur, Produzent und Drehbuchautor, der besonders für seine Arbeit. Später lernte er Don Bluth kennen, mit dem er in den folgenden Jahren zahlreiche Projekte bei Disney umsetzen sollte. Bald arbeiteten Goldman, Bluth und der. Produktbeschreibungen. Synopsis. From Don Bluth - master animator, artist and director of such cartoon classics as "The Secret of N.I.M.H.", "An. Die ausgewählten Artikel zusammen kaufen. Dieser Artikel:Däumeline / Der Zaubertroll von Don Bluth DVD EUR 7, Auf Lager. Versandt und verkauft von.
Don Bluth Films. Gefällt Mal. Film- und Fernsehstudio. Später lernte er Don Bluth kennen, mit dem er in den folgenden Jahren zahlreiche Projekte bei Disney umsetzen sollte. Bald arbeiteten Goldman, Bluth und der. Produktbeschreibungen. Synopsis. From Don Bluth - master animator, artist and director of such cartoon classics as "The Secret of N.I.M.H.", "An. Hauptseite Themenportale Zufälliger Artikel. September click here El PasoTexas streaming bates motel ein US-amerikanischer RegisseurProduzent und Drehbuchautorder besonders für seine Arbeit an zahlreichen Zeichentrickfilmenzuerst beim Disney-Studio und später in Eigenregie, bekannt wurde. Aus seiner geschlossenen ersten Ehe gingen zwei Söhne hervor. Im gleichen Jahr kündigten sie mit weiteren acht Mitarbeitern bei Disney, um sich unter dem Label Don Bluth Productions künftig voll auf eigene Projekte konzentrieren zu können. Goldman wuchs im kalifornischen Watsonville read article. Für die beiden Nachfolger des Spiels fungierte Goldman ebenfalls als Produzent. Ein Charakteristikum ist die starke Anwendung mimischer Bewegungen: Die Figuren, so etwa die Maus Feivel im gleichnamigen Film, bewegen ihre Gesichter, blinzeln und wackeln mit der Nase, bewegen ihre Münder und rollen mit den Augen, wodurch sie lebendiger wirken. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Bei vielen seiner Projekte arbeitet er mit Don Bluth zusammen. Die drei entwickelten mehr und mehr eigene Ideen https://melins-bors.se/filme-kostenlos-stream-legal/drei-mgnner-im-schnee-mediathek.php don bluth bald keine Möglichkeit mehr, diese innerhalb der Tv nur zu verwirklichen. Nachdem er im Alter von sechs Jahren Disneys Schneewittchen und die sieben Zwerge gesehen hatte, begann er mit Leidenschaft zu malen und beschloss schon in seiner Kindheit, sich als Macher von Zeichentrickfilmen zu versuchen. Nach drei Jahren bei den Filmation Studios kehrte Don bluth zu Disney zurück, wo man nach dem Tod see more legendären Firmengründers immer noch die Richtung für die Zukunft suchte.
Share this page:. Top 46 American Film Directors. Favourite Directors. The Land Before Time premiere.
Favorite people. Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen? How much of Don Bluth's work have you seen?
Known For. Anastasia Director. All Dogs Go to Heaven Director. Titan A. Circus Sam Short animator post-production. Show all 58 episodes.
Show all 16 episodes. Show all 17 episodes. Don Bluth. Unfortunately by that point, the studio was going through major financial and creative turmoil in the wake of their founder 's death, and he was put to work on some of their more economical films like Robin Hood and The Many Adventures of Winnie the Pooh most notably, the scene where Rabbit is lost in the woods.
Bluth nevertheless proved himself a skilled artist, working his way up to a directing animator on The Rescuers , Pete's Dragon and The Fox and the Hound.
Deeply unhappy with the state of animation at the time and feeling that Disney was too concerned with saving money to produce a great film, Bluth wanted to remind both movie executives and the public at large what painstakingly attentive hand-drawn animation could do.
He recruited colleagues Gary Goldman and John Pomoroy to start work on a pet project in his garage and for six years, the three of them met after work to teach themselves the kind of top-tier quality classical animation they felt they weren't getting at Disney, frequently consulting Disney's Nine Old Men for tips and techniques Bluth even briefly dated Ward Kimball's daughter.
Reasonably successful, it was proof to the three men that they were capable of striking out on their own.
The following year, Bluth quit Disney, taking half the staff of Fox And The Hound with him to work at his new garage-based studio on an independent feature.
A massive, effects-heavy undertaking which forced Bluth and his two partners to mortgage their houses just to get more funding , it was a big hit with critics and fantasy fans alike, but only barely broke even not helped by the fact that it was going up against the biggest film of the decade thus far.
They produced the animation for two laserdisc-driven videogames, the cult hits Dragon's Lair and Space Ace , in order to recoup their losses.
NIMH managed to catch the eye of ET director and notable animation fan Steven Spielberg who was looking to turn the script for a proposed TV special into an animated feature.
Under Spielberg's supervision, the studio created An American Tail , which was briefly the highest grossing animated feature at the time.
They followed it up two years later with the prehistoric epic The Land Before Time , which became an even bigger hit. Both films were also hugely successful with critics and audiences and are still beloved to this day.
By this point, Bluth's tiny garage business had expanded to a fully-operational studio in Dublin, Ireland.
Feeling successful enough to once again work on his own and getting annoyed that Spielberg was always getting the last word in creativity on their projects , he cut ties with Spielberg and resumed fully-independent production on his next film.
Back at Disney, the old guard sat up and took notice that Bluth was beating them at their own game. The financial success of American Tail raised concern though the absolute nadir was their own lavish fantasy epic The Black Cauldron under-performing against The Care Bears Movie of all things , convincing the studio's new ultra-competitive head Jeffery Katzenberg to whip the animation unit of Disney back into shape to take down the competition.
In short, Don Bluth near single-handedly kickstarted the renaissance of animation in the west.
Sadly, it was not a victory he could share in. It was released on the same day as Disney's mega-blockbuster musical smash The Little Mermaid , which blew Bluth's tiny little indie flick out of the water.
With Disney heeding his word and admittedly still salty about the mass exodus he led in and reclaiming their title as top dog in feature animation, Bluth's films from that point on became lost in the overcrowded "all the animation that isn't by Disney" market, and were burdened by demands from what few investors he had left to be less dark and more marketable.
What was left of his studio after Mermaid was leveled two years later when his next film, Rock-A-Doodle , went up against Disney's Beauty and the Beast.
There was no competition any more: the Bluth film was such a massive Box Office Bomb that he was forced to close his studio and sell the right to his previous film in order to form a new studio a couple years later.
But the message was made clear at that point that animated features in the s belonged to Disney, and Bluth's next three films were meddled with , rushed and underfunded , each failing harder than the last.
Things looked up for Bluth in when 20th Century Fox offered him the director's chair for the first film of their new animation arm in Phoenix, Arizona.
It was Bluth's only financially successful project of the 90s and his first financial success since Land Before Time. However, by that point, the animation landscape had changed significantly for everyone.
The arrival of Pixar and the first fully computer-animated feature Toy Story signaled the dawn of a new age.
Unfortunately, the quality of animation that Disney was producing at this point was not up to par with the great works of Disney, and there Filmography by Job Trailers and Videos.
June's Most Anticipated Streaming Titles. Share this page:. Top 46 American Film Directors. Favourite Directors.
The Land Before Time premiere. Favorite people. Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen?
How much of Don Bluth's work have you seen? Bluth employed animators during the production and agreed to the first profit sharing contract in the animation industry.
Later, with the home video release and cable showings, it became a cult classic. His next film would have been an animated version of the Norwegian folk tale East of the Sun and West of the Moon , but was never made when the financial resources were drawn back.
In , he, Rick Dyer , Goldman, and Pomeroy started the Bluth Group and created the groundbreaking arcade game Dragon's Lair , which let the player control an animated- cartoon character on screen whose adventures were played off a LaserDisc.
This was followed in by Space Ace , a science-fiction game based on the same technology, but which gave the player a choice of different routes to take through the story.
Bluth not only created the animation for Space Ace , but he also supplied the voice of the villain, Borf. Bluth's studio was left without a source of income and the Bluth Group filed for bankruptcy on March 1, It initially operated from an animation facility in Van Nuys, California , but later moved to Dublin , Ireland, to take advantage of government investment and incentives.
Sullivan Bluth Studios also helped boost animation as an industry within Ireland. Bluth ended his working relationship with Spielberg before his next film, All Dogs Go to Heaven He also directed films, such as Rock-a-Doodle , Thumbelina , A Troll in Central Park , and The Pebble and the Penguin , which were all critical and box office failures.
Despite the success of Anastasia, Bluth resumed his string of box office failures with Titan A. On October 26, , Bluth and Goldman started a Kickstarter campaign in hopes of resurrecting hand-drawn animation by creating an animated feature-length film of Dragon's Lair.
Throughout Don Bluth's career, there were many projects that ended up unproduced or unfinished due to studio closures, Bluth's severed partnership with Steven Spielberg, or the video game crash of Many art designs, filmed animation tests and videos of these unfinished projects still circulate online.
The earliest of Bluth's unfinished film projects is a Disney Pied Piper of Hamelin short film from the early s.
While a few scenes were produced in , the film's production was canceled when Don Bluth and the film's distributor Columbia heard the news of Disney beginning work on their own animated adaptation.
During production of East of the Sun and West of the Moon , Bluth also animated a demo reel of Jawbreaker , a proposed television series by Phil Mendez of a boy who finds a magical tooth.
After acquiring the rights to The Beatles ' songs in the mids, Michael Jackson approached Bluth with a movie idea called Strawberry Fields Forever.
The film would have had animated Fantasia -style vignettes featuring Beatles songs, similar to Yellow Submarine.
Had the movie been made, it would have predated the ground-breaking Pixar film Toy Story by about eight years. The project fell through when surviving Beatles members denied permission to use their images in the animated film.
Only a scene of test footage featuring a group of "Beatle's gangsters" survives. The first film was an animated adaptation of The Velveteen Rabbit , a story about an abandoned toy rabbit in pursuit of its child owner.
The second film was Guardian of the Moon , based on a story by Steven Bauer about a young boy in a fantasy world who defends the moon and sun from evil forces.
Some of the film's concepts were later realised as the French animated film Mune: Guardian of the Moon. The planned film was about a little girl and her animal friends who try to protect a little whale from evil whalers.
Other unrealised projects also included plans for a animated short film centered around a magical talking pencil starring Dom DeLuise ,  animated film adaptations of the books Deep Wizardry , Quintaglio Ascension , The Belgariad , and The Hitchhiker's Guide to the Galaxy.
The latter productions were cancelled following the box office failure of Titan A. In , a live-action adaptation of the live-action film of the same name was released by Touchstone Pictures.
Due to the budgeting issues and the video game crash , these projects were abandoned. Blitz Games planned a video game adaptation of Titan A.
A sequel to the game I-Ninja was planned, which had input from Bluth. The few aspects remaining from I-Ninja 2 's development are some concept drawings.
A project called Pac Man Adventures was originally planned in partnership with Namco around , but was scrapped due to financial problems on Namco's part leading to their merger with Bandai in and whatever development assets were left over was made into Pac Man World 3 with no involvement from Bluth.
In , Bluth and video game company Ubisoft developed the video game Dragon's Lair 3D: Return to the Lair , an attempt to recreate the feel of the original Dragon's Lair LaserDisc game in a more interactive, three-dimensional environment.
While Bluth's early output did not match Disney's success at the box office, critics praised the studio's visual style, and by Sullivan Bluth Studios' An American Tail had broken the box-office record for a first-release animated feature.
As animation columnist Jim Hill notes, this critical and commercial reception forced Disney to rethink its approach to animated features.
Sullivan Bluth Studios has also been regarded as a major influence in the development of Ireland 's animation industry. By , Dublin's animation industry employed around people.
The closure of Sullivan Bluth Studios in brought about a near collapse in the Irish animation industry. From Wikipedia, the free encyclopedia.
Sullivan Bluth Studios Ireland Ltd. Former type. See also: Fox Animation Studios. Archived from the original on June 21, Retrieved November 28, Retrieved May 8, H' Shades of Disney's Golden Era".
New York Times. July 26, Sullivan and Mr. Supermarket News. Opportunities for Ireland in the Media Sector p. Film portal Animation portal United States portal Ireland portal s portal s portal.
Don Bluth. Anastasia Bartok the Magnificent Titan A. Banjo the Woodpile Cat Anastasia Bartok the Magnificent , direct-to-video Titan A.
Seuss' Horton Hears a Who! The Simpsons Movie Fantastic Mr. Olive, the Other Reindeer Animation industry in the United States. The Animation Guild, I.
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November 21,Nach einiger Zeit wandte sich Don jedoch wieder dem Filmgeschäft zu, bei der Fernsehproduktionsfirma Filmation Studios begann er als Layout-Zeichner und stieg bald tv android Leiter der Animationsabteilung auf. Bei vielen link Projekte article source er mit Don This web page zusammen. Im gleichen Jahr kündigten sie mit weiteren acht Mitarbeitern bei Disney, um sich unter dem Label Go here Bluth Productions künftig voll auf eigene Projekte konzentrieren zu können. Just click for source begann seine Karriere als Animator bei Disney. Namensräume Artikel Diskussion.